About Jayne Persch
As a student, dancer, teacher, choreographer, therapist and seeker/dreamer ~ Jayne’s work spans more than 50 years. From Stuttgart through NewYork and the Royal Ballet (London), Jayne has trained and danced with some of the finest artists and mentors; studied dance, medicine, the arts and sciences. She shares her journey in each and every class - including her falls and flights, joys, regrets and sorrows.
The body has so much to teach us - she says… if we will only take time…. listen.
Dancers who have worked with Jayne have much to say about her work - BRIAH. She gives dancers as well as non-dancers power, a deep sense of ‘self’ and pathways to knowledge to come from a deeper understanding toward movement and themselves.
Discovery. Joy. Honor… Respect.
She created BRIAHWork. Yes - it is movement… but much more. BRIAH means ‘life-breath’. Life is movement - in your breath, pulses, flow and connections. BRIAH offers an ever deepening reverence of You.
Through movement you can discover ease, efficiency, artistry - your body mind and spirit connection. With care and deepening sense of integrity, you can take a journey in a unique discovery of yourself - physically, mentally, emotionally and energetically.
"LEGACY ... LIFE BREATH INTO THE FUTURE"
Today -- more than ever before, we must give place to the psyche/soul and honor each human spirit and connection to a Greater Energy. Our times have sunk to disparaging cultures and religions. It is no longer about respect for race, creeds, cultures. Sadly politics, power and money separate people and claim superiority based on disconnect and discontent.
The development of BRIAHWork is an outgrowth of years of listening and learning, training with great minds and spirits in the arts and sciences; in dance and movement, psychology, medical arts and the sciences. My lifetime journey has been in the arts and sciences - I continually ask:”why?” “how?” “what if?”…taking me in wonder to new horizons. The arts have been my breath, my rest and constant inspiration to more. Therapeutics have inspired me to keep re-searching!
Some of my teachers and mentors - For body and mind, I have worked and studied with Dr. Michael Conforti, Yoram Kaufman and F. David Peat through the Assissi Conferences and Seminars as well as the Pari Center for New Learning; the full curriculum in Craniosacral Therapy cerated by Dr. John Upledger from basic through advanced, clinical applications to obstetric and pediatrics, and Master Degrees in Dance in Education and Psychology and continuing classes through Harvard Medical School and more. BRIAH Work/Embodied Awareness (EA) has been developed from multiple movement forms including classical, contemporary and modern dance; Tai Chi, Yoga, Eurythmy, QuiGong, Alexander Technique, and Feldenkrais ATM as well as continued training and experience.
In dance, the journey began at the Stuttgart Ballet, followed in the United States with training through Ballet Theatre School (ABT), Sandra Knoll Hammond, Barbara Chesney Schmir, The Joffrey School, Martha Graham, Merce Cunningham,; the Royal Ballet (London) and more. See Jayne Persch Background.
The awareness and consciousness derived through my work in the studio with dancers, musicians and artists; in clinical settings with doctors, therapists and medical professionals have simply brought me to more wonder. I have applied my studies to movement, physical therapy, craniosacral and therapeutic massage, bodywork, counseling and consultations. I feel privileged to have witnessed wonders. I believe that we need more people who will teach and bridge new and old materials; allowing their awareness and consciousness to guide them in their use of this information in therapy, toward health and well-being of body, mind and spirit. BRIAHWork ultimately leads to HYPAXIS - (which simply means ‘I am’). It is the dignity of being to which there is no negation. BRIAHWork asks for an awareness…with breath and taking time, opening time, and space; letting go, growing, shifting, changing through the senses, honoring the systems and the fields of the body and all living things surrounding; integrating body, physche and Spirit!
APPLYING BRIAH
BRIAHWork can be for everyone and anyone who wants to take the time to look and see being human from an old-new way.
I offer the work to anyone who moves or teaches, coaches movement in dance, sports, athletic to artistic to esoteric in workshops, classes, seminars and invited presentations/applications in schools, conservatories, companies, therapeutic trainings, hospitals and clinics. It is invaluable inunderstanding the body,the mind, and psyche.
This approach offers an alternative perspective for understanding of body and mind, emotions and memories, psyche and spirit. It introduces new thoughts to be considered about the effects of colors and tones ~ their resonance and wavelengths; the housing of memories of todays and yesteryears not only in the mind but throughout the body - into its cells, molecules and atoms ~ the fields surrounding the body that have been known in many cultures since ancient times, DNA, physical and spiritual heredity and the promise of the future. The information offered is a useful tool for individuals, parents, physical, massage and movement practitioners, counseling therapists, personal trainers, dancers, choreographers and others.
When I am asked, who should work with me -take the time in my classes, workshops or individual sessions? Who should study this information, I will answer ~ anyone and who sincerely believes in the precious value of each and every living being. For me, BRIAH Work does not have answers… rather, it has openings that take us into more…wonder. Everyone who breathes and moves and perhaps is ‘aware’ of the wonder.
Let’s Move in life; with grace and dignity… and a generosity of Spirit! BRIAH Work is useful and important to everyone. For all movers: dancers, athletes, performance artists such as skaters, gymnasts as well as to body workers such as massage therapists, personal trainers, yoga instructors and teachers of dance and movement... for choreographers, composers. I offer the work to anyone who moves or teaches, coaches movement in dance, sports, athletic to artistic to esoteric in workshops, classes, seminars and invited presentations/applications in schools, conservatories, companies, therapeutic trainings, hospitals and clinics.
In therapeutics, co-ordinationing information of muscles to organs, to systems, to memories; working with some perspectives of BRIAHWork can be invaluable in all body and mind therapeutics - linking the body and the mind, spirit and universal energy in a very understandable way.
__________________________
From the moment we are born ( or perhaps a bit before…), this body is a living memory -
BRIAHWork is a an approach of precious respect for each of us in this time and place.
In understanding more and continually rediscovering in and through our bodies - we can prevent injuries, understand our physical and mental health, rehabilitate former distortions and potential injuries as movers, dancers and non-verbal communicators. We can embody and evoke emotions, portray a thought and resemble the effects and resonance of color and tone if we will only re-member, rekindle our sense(s).... to know how to move and where to move from. We can look at and bring an emotional and deeply sensual as well as mental quality into our work by understanding the housing of histories, memories, emotions and psychological responses in bodies.
This work would also serve visual artist such as painters, sculptors, videographers, photographers as well as they pursue their training and careers in performance, production and exhibition. Musicians, as they imagine and visualize their music with all of its tones and textures.
MOVEMENT ~ CLASSES, COACHING, MENTORING, TRAINING
BRIAH is a part of the groundwork for all of my Open Classes for teens & adults in multi-genres of dance technique as well classes in Embodied Awareness (EA) Conditioning. Tai Chi, Gyro, Yoga, from beginner through advanced professional. EA - Embodied Awareness is designed to help students to systematically build knowledge, develop skills with a new perspective, incorporating the new sciences with traditional training systems and ancient wisdom in positive and supportive environment. All classes, workshops and training are age and level appropriate.
BRIAH DANCERS’ PROJECT is a pre-professional program for serious students wishing to study and train in the finest traditions with personal somatic understanding through a system of movement that cares for each individual; physically, mentally and emotionally.
As an artistic and educational organization, BRIAH Danse Company is a professional company that performs classical and contemporary ballet works based in the finest traditions carrying on the legacies of the masters and pushing the edge of contemporary ballet. The company reaches into local, state, national communities through its Educational Outreach Program with classes , workshops and open rehearsal and expands nationally and internationally through festivals, residencies, workshops and exchanges.
*ARTISTIC PROFESSIONAL TRAINING AND DANCE
At the cutting edge of movement and medicine, we have become aware of fascia and connective tissue, meridians and anatomy trains as opposed to only single muscle or muscle groupings. We are respecting and adding mind-body into movement for health and well-being as well as artistic expression, connection and communication in performance arts... and there is still a call for excellence, athleticism and the push beyond apparent limits for those who hold dearly to the art of movement. We can use research and discovery for the health and well-being of dancers and movers. We can 're-member' the philosophies and the history of movement (not just of the performance and entertainment but the why and where a movement begins). In ballet, we can look to the courts and body-types of that country and the schools of training that began to nurture and train dancers in the "royal" systems. In Tai Chi and Martial Arts we can look to the dynasties and provinces for schools and lines. History combined with present will help us learn new systems of movements.
*A STATEMENT OF PHILOSOPHY
The Arts can save a dying and muted world. BRIAH work/study/training provides dancers new places from which movement can come from.
Jayne believes that in the changing times of today's world, it is imperative that we hold on to our feelings, retain awareness of our many senses, stimulate our children's imaginations, offer them inspiration and never dull or dampen their intuitions. We can all soon enough turn into machines or will it be that computers and artificial intelligence, machine generated images, emojis and efficiencies dominate the world in which human beings will merely exist... or not.
*PROFESSIONAL TRAINING AND ARTISTIC DANCE
At the cutting edge of movement and medicine, we have become aware of fascia and connective tissue, meridians and anatomy trains as opposed to only single muscle or muscle groupings. We are respecting and adding mind-body into movement for health and well-being as well as artistic expression, connection and communication in performance arts... and there is still a call for excellence, athleticism and the push beyond apparent limits for those who hold dearly to the art of movement. We can us research and discovery for the health and well-being of dancers and movers. We can 're-member' the philosophies and the history of movement (not just of the performance and entertainment but the why and where a movement begins). In ballet, we can look to the courts and body-types of that country and the schools of training that began to nurture and train dancers in the "royal" systems. In Tai Chi and Martial Arts we can look to the dynasties and provinces for schools and lines. History combined with present will help us learn new systems of movements.
ANATOMY TRAINS - CARL JUNG'S CONJUNCTIO MYSTERIUM - EASTERN AND WESTERN MEDICINE COALESCED
BRIAH Work is an additional voice to those who study muscles, the mind and Spirit! References to Dr. Thomas Meyer's work are through the course of study, however BRIAH continues it's study into healing, well-being and fundamentals of artistry. "People have asked me to write or teach what I am still learning about anatomy and kinesiology, Spirit, soul, mind, body... heart. I say come and discover with us."
Come discover more about this system of movement and BRIAH/E.A.S.E.
Jayne now lives in New Hampshire and continues to enlighten, teach, journey with you and truly give of herself to those who come to discover themselves.
Background
In Therapeutics
Therapist
Jayne is a licensed therapist since 1988 in New Hampshire, California and Colorado. As an advanced Craniosacral therapist she has completed the full curriculum for the Upldeger Institute where she is a teacher, preceptor and support therapist. She trained and studied under the Institute for Therapeutic Arts, Dr. Robert Berube ~ Antioch ~ New England Graduate School, DMT & Psychology Departments ~ Trinity Graduate School ~ Ballet Pacifica Company ~ Dr. Walter Sevigny ~ Dr. John Rice ~ Dr. Nicolas Heydeyat ~ Dr. Benjiman Rinaldo ~ Meyerson ~ Savinelli & Persch.She is a member of AMTA, IAHP, PPANA, IADMS and AMBPD.
Upledger Institute - Full Craniosacral Certificate & Diplomate Level, Faculty- Upledger Institute
Actioch New England Graduate School Master of Arts, Adjunct Faculty
Assissi Institute - Italy
Parker College of Chiropractic
Traeger Institute
New Hampshire Institute for Therapeutic Arts
Formal Education
California State University at Long Beach ~ Masters of Arts 2005
Antioch- New England ~ Master of Arts Program in Counseling Psychology/ Dance Movement Therapy 1988
Manhattanville College ~ BA Asian Studies 1969
New York University ~ Graduate Studies Dance1972
Columbia University ~ Graduate Asian Studies 1974
Goetheanum (Eurythmy)
ABT - National Training Curriculum - Fully Certified Primary - Level7/Partnering 2008
Gyrotonics - Foundation, Level 1
In Dance
Ms. Persch trained and danced with Stuttgart Ballet American Ballet Theater and the Royal Ballet. She has created more than 40 works for small companies and chamber sized performance groups, worked with the Shubert Theater, Theater-By-the Sea in Broadway musical theater productions. Her choreography has been presented in Ireland, Italy, Denmark and France including Festival Off D’Avignon. As Artistic Director of the New Hampshire Contemporary Ballet Company, she was one of two choreographers for the MacDowell Colony Centennial Celebration, served on the rosters of both Artists-in-Residence and Arts-in Education and received the Governor’s Award for Artistic Excellence. Ms. Persch received a national award from the National Association of Science Teachers for her innovative Alternative Educational – Arts- in-School project, Let’s Create Together-The Planets. Internationally, she was appointed to the Faculty for the Pari Center for New Learning, (Italy) funded through the World Academy of Art & Science. She is guest teacher for the Royal Danish Ballet School, The Danish National Theater School, School of Modern Dance, and Copenhagen Dance Arts, SEAD (Salzburg Experimental Academy of Dance) in Austria, and Northern School of ContemporaryDance in Leeds, England. Ms. Persch has taught at colleges, universities, public and private schools and conservatories including the University of New Hampshire, Southeast Missouri State College and Trinity College for Graduate Studies in California, California State University-Long Beach; Hart School, University of Hartford; Ballet Etudes, Orange County High School of the Arts, and Saint Joseph’s Ballet. Ms. Persch graduated with honors BA in Asian Studies and a Masters level in Counselling Psychology through Antioch-New England Graduate School and a Master of Arts in Dance at California State University Long Beach. She is certified in the ABT National Training Curriculum and Feldenkrais based Self-Corrective Mechanisms. Ms. Persch is the creator of BRIAH Movement/Embodied Awareness - an anatomically based approach to movement and dance.
Royal Ballet, London, England
American Ballet Theatre
Stuttgart Ballet
Ballet Etudes, Hartford Opera Ballet
Hartford Ballet, Connecticut Ballet Company
Massachussets Ballet, Springfield Ballet
New Hampshire Contemporary Ballet
BRIAH Contemporary Ballet
American Stage Festival
Oakdale Musical Theater Company
Theater By the Sea, Shubert Theatre
Dance Education
American Ballet Theater~ National Curriculum Training Program and Alumni Certification Program Levels Primary-7
Royal Ballet School ~ London
American Ballet Theater School ~ New York City
Ballet Russe De Monte Carlo School
American Ballet Center ~ Joffery
Martha Graham School
Luigi Dance Center, Ballet Arts Carnegie Hall ~ New York City
Merce Cunnigham
Limon Institute
School of American Ballet ~ New York City Ballet
Stuttgart Ballet Schule
Alvin Ailey School
Jacob's Pillow Dance Festival
Paul Taylor, Donald McKayle
Ballet Theatre School with Valentina Pereyaslavec as Master/Teacher
Barbara Chesney Schmir
Russel Fratto ~ Ballet Etudes
Vera Nikitins ~ Norwalk Ballet
Maggie Black, Zena Rommett, Finis Jhung, Frank Hatchett ~ Springfield, Massachusetts
Choreographer
AVIGNON, 1996
BRIAH Danse Company
MacDowell Colony Centennial Celebration
Festival Offd' Avignon France
Dansen Dag Copenhagen, Denmark
Jayne Persch & Company
In Mix'd Company
Springfield Ballet
Massachussetts Ballet Company
New Hampshire Arts in Education Roster
American Stage Festival
Christine Philion Dufour, Ram Island Dance
AWOL Dance Company Inc.
FADNA/Denia Dance Co.
Temecula Dance Company
History
Conservatories, Universities, National and International Schools & Companies
Classical & Contemporary Ballet ~ Pointe, Repertory
Modern & Contemporary Dance (Horton, Graham, Limon Techniques, Release), Pas de Deux & Partnering, Choreography, Eurythmy, Tai Chi, Anatomy for Dancers, Injury Prevention, Artistic & Emotional Aesthetic in Movement, The Body & Energy, Developer of the BRIAH/E.A.S.E System of Movement
Denmark Royal Danish Ballet Holstebro, Albamora Dance Company Aarhus
Italy Accademia Nazionale Di Danse ~ Roma ~ Alambrado Dance Center ~ Florence Bellini House ~ Instituto Murlo ~ Pari Center for New Learning ~ Pari
Austria SEAD (Salzburg Experimental Academy of Dance) Salzburg
Ireland Univeristy of Limerick
France Municipal Theatre ~ Theatre Golovine~ Avignon
USA University ~ California State University Long Beach ~ Trinity College for Graduate Studies ~ Antioch ~ New England Graduate School
CONSERVATORIES
Colorado Ballet, Boulder Ballet, Saint Joseph Ballet ~ Ballet Pacifica Conservatory ~ Orange County High School for the Arts ~ Hypaxis Center for the Arts
PRIVATE & PUBLIC SCHOOLS
Denver School for the Arts, Orange County High School for the Arts ~ Phillips Exeter Academy ~ The Well School ~ Contoocook Valley Schools SAU1
American Ballet Theater Curriculum Certified Primary through Advanced
Member of the International Dance Council Paris, France
Teaching History
Royal Danish Ballet - Holtsbro, Denmark, Kent Director of School
Accademia Nationale Di Danse - Roma, Italy Dr. Luana Poggini, Marcharetta Parrila, Artistic Director
Albamora Dance Company - Aarhus, Denmark Jarek Cemerek, Noelia Mora, Artistic Directors
Royal Danish Ballet School - Holstebro, Denmark Kent Sommer, Director
Bellini House, Instituto Murlo - Murlo, Italy, Appointed Director of Programs - International Exchange
Colorado Ballet, Denver, Colorado - Gil Boggs Artistic Director, Valerie Madonia/Erica Fischbach Academy Directors
Cleo Parker Robinson -Denver, Colorado, Amelia Dietz, Academy Director, Cleo Parker Robinson, Artistic Director, Malik Robinson, Executive Director
Boulder Ballet, Boulder, Colorado, Ana Claire, Director
Denver School for the Arts, Denver, Colorado,Alicia Karcievsky/Michael O'Banion, Directors
Pari Center for New Learning - Pari, Italy, David Peat, Director
Upledger Institute - Palm Gardens, Florida, John Upledger, Director
Independent Choreographer, Master Class Teacher - California, Oregon, Arizona, Washington - YAGP, Company & College Auditions
AWOL Dance Company Inc - Portland, Oregon, Jen Harbaugh, Director
FADNA & Co - San Francisco, California - Felici Ana D'Anagogin, Director; Master Classes, choreographer
Temecula Dance Company - Temecula, California, Jimmy Peters, Director
Saint Joseph Ballet - Santa Ana, California, Beth Burns, Director
SEAD ( Salzburg Experimental Academy of Dance) - Salzburg, Austria, Susan Eckhart
Ballet Pacifica Conservatory - Irvine, California, Gillian Finley, Conservatory Director; Molly Lynch, Artistic Director
Trinity College for Graduate Studies - Anaheim, California Father Joseph Szerbo, Dean
Hypaxis, In Mix'D Company - REFORM Pilates Studio, Dana Point, California
Fact Gallery - Laguna Beach, California, Robert Abbott, Director
University of Limerick - Limerick, Ireland, Catherine F Foley and Michael O'Suilleabhain
Hypaxis Studio/School - Wilton, New Hampshire
BRIAH Contemporary Dance Co - Wilton, New Hampshire, Morton E. Goulder, Chairman and Board of Directors
MacDowell Colony Centennial Celebration - Peterborough, New Hampshire, David Macey, Managing Director
Jayne Persch & Company - Artistic Director, Guest Artist
Arts-In-Education Roster - New Hampshire State Council in the Arts, Concord, New Hampshire
The Well School - Peterborough, New Hampshire, Toni & Jay Garland, Directors
Contoocook Valley School District - Conval, New Hampshire, Dance & Movement Theapist
Phillips Exeter Academy - Exeter, New Hampshire, Joyce Kemp, Dean of Studies
American Stage Festival - Choregrapher for "A Christmas Carol" & "Dames at Sea" - Troy Siebels, Director Professional/Equity Theater
Festival off D'Avignon - Avignon, France, Catherine Golovine, Director Theatre De Golovine; one of eight choreographers presenting works in the "American Choreographers Showcase."